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- I have to disagree here - the main issue is response rates or brand recall rates. Advertising is just not effective when you are trying to get someone's attention when they are focused on...
- It is not beyond hope to imagine that with appropriate technology we can get beyond this fear that agencies have of getting associated with the wrong content. Particularly if we can better...
- Every ad sales agency I speak to says the same thing: advertisers will pay premium rates on the web, but not to be associated with User-Generated Content (UGC). The limitation that social networks...
- I'm sure they would disagree, but at the same time I would expect their plans to have enough slack to cope with that scenario.
- With games companies like Zynga and Playfish make revenues estimated between $50 million and $100 million purely on social networks like MySpace and Facebook, it seems inevitable that Facebook will...
The Equity Kicker
Nic Brisbourne’s view from London on venture capital and exploiting change in technology and media
I’ve blogged this before with respect to music, but I have been struck again today by the thought that in the digital world many media industries will simply be much smaller than they have been before.
You can argue this from the price side - the wide availability of illegal free cop ... Continue reading »
You can argue this from the price side - the wide availability of illegal free cop ... Continue reading »
8 months ago
What is interesting, in hulu and BBC iPlayer, is seeing how the Old Order in video is more interested in playing early compared to the music industry. Its also interesting looking at services like Phreadz, which can potentially be nodes around which a new order can coalesce.
8 months ago
8 months ago
That is seriously inaccurate... who pays for the bandwidth to distribute the content, who pays for the storage to store it, who bears the cost of ingestion, who bears the cost of quality assurance, who merchandises it, who develops the recommendation algorythm etc?
While I agree that digital distribution reduces the costs, they are NOT zero... plus if we constantly think about copyrighted content as somthing that should be distributed for free there will no longer be any incentives to produce it. I have heard people argue that music producers should make their money from concerts and live performances which is fine if you're Madonna or Coldplay but if you're starting out, you need music sales revenue. Also, most of Madonna's music is not actually written by her so without some sort of reveneue derived from the sale of master recordings, how will the composers make a living...
8 months ago
James - with regard to written content, my gut is that there will be a lot of long tail content produced, but that much of it will be monetised in ways other than advertising/cash - a bit like TheEquityKicker. I guess that means a view of whether the market has grown or shrunk will depend on what you measure, but by some measures you are right that there will be growth.
Guy - you are of course right that bandwidth and storage costs will remain, and I am guilty of simplification in saying that they will be zero. Simplification, but probably not gross simplification. These costs are only a small fraction of physical distribution costs and they are trending towards zero over time.